这是一张以春为题的专辑，《浪春》中电子乐为那些熟悉的春之歌创造出了丰富的效果，令人叹赏不已。曲中的意象如同一幅春之画卷徐徐，在流动的、充满民族韵味的五声音阶旋律中，春的色彩呼之欲出，而春的生机则在复杂多变的电子韵律中撩动着听者之心，是为《浪春》。
《浪春》是新乐府联手以色列电音小红人Shtuby共同推出，延续了新乐府在中国传统民乐国际化上的制作理念。专辑6首曲目中你可以听到琵琶、笛子，也可以听到耳熟能详的传统民歌采样，融合小红人多变的电子音色，整张专辑突破了音乐风格的限制，你很难把它简单归类为New Age或是独立电子。小红人大胆开放的“世界音乐”意识，使他并不拘泥于音乐风格，而是利用西方电子乐的节奏感将古老神秘的东方旋律衬托的更加出彩和现代。
This is an album with the theme of spring. The electronic music in "Naughty Spring" creates a rich and impressive effect for those familiar spring songs. The image in the song is like a picture of spring unfolding slowly. The color of spring is vividly portrayed in the pentatonic scale melody full of national flavor. The vitality of spring stirs the listener's heart in the complex and changeable electronic rhythm. That's why the album is called "Naughty Spring" .
"Naughty Spring" is jointly launched by China Music House and Israeli electronic music star Shtuby. This album continues the music production philosophy about the internationalization of traditional Chinese folk music by China Music House. You can hear pipa and flute in the 6 tracks of the album, and you can also hear the familiar traditional folk song sampling. The album's eclectic mix of Shtuby's electronic sound breaks through the limitations of the music style, making it hard to classify as New Age or indie. Shtuby's bold and open "world music" consciousness makes him not stick to music style, but use the rhythm sense of western electronic music to set off the ancient mysterious Oriental melody more brilliant and modern.